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Even though it is hard to believe due to today's popularity, the classic Dirndl was initially a clothing item for service maids , usually made out of cotton or linen.

It was not until that this original work dress developed into a popular fashion item in the larger cities of the Alpine region.

Within the framework of this period, different fabrics, more elaborate cuts and fine embellishments were established.

A Midi Dirndl is an airy, originally ankle-length summer dress and still characterizes the world-wide understanding of traditional German costumes.

It is characterized by. While the skirt length of a Midi Dirndl reaches to the knee, Mini Dirndl are even shorter. With both models you can wear, as desired, Trachten shoes , pumps, ballet flats, sneaker or high-heels.

Modern Midi Dirndl can be found with any pattern, color, fabric or button detail. You can choose a model with a sweet stripe or heart pattern , an expressive, feminine trend color like violet, pink or baby blue , an extravagant fabric such as satin or silk and the matching dirndl apron.

Whether at Oktoberfest , festivals or parties — a so-called Midi Dirndl is always the perfect choice for women wanting to combine style and tradition.

Anyone who appreciates being in the center of attention can wear the modern Bavarian fashion in everyday life as well, since these comfortable and pretty pieces do not have to hide behind modern summer clothes!

Indivisibly linked to the Dirndl is the typical apron whose loop, depending on how it is bound, betrays something about the relationship status of the wearer.

In our extensive online shop, you will not only find a wide selection of beautiful Midi Dirndl in different colors and cuts with a characteristic, medium skirt length.

Size 30 Colour Light Blue. Rose Pink. Dirndl Length Mini. Price from Ramona Lippert. Chain Lacing. Page 1 of Who suits a Dirndl?

The wearers body height, body weight and the distribution of proportions don't matter! Miniskirt versions also exist. Traditionally, the skirt has a pocket on the side or in front, which is hidden under the apron.

The blouse Bluse accentuates the overall effect of the dirndl. In the more traditional dirndl designs, the blouse neckline is at the base of the throat a so-called jewel neckline.

Other popular necklines are V-shaped, balconette or heart-shaped. The blouse is cropped just above the waist and normally white. Typical materials are cambric , linen or lace.

Short puff sleeves are most typical, although narrow sleeves short or long are also common. The apron Schürze is attached to the skirt and is narrow, covering only the front of the skirt.

Traditional apron designs vary according to local tradition and are typically only a single colour; in modern designs, the designs are more elaborate.

The winter style dirndl has heavy, warm skirts, long sleeves and aprons made of thick cotton , linen , velvet or wool.

The colours are usually brown, deep green or dark blue. Traditional dirndls vary in design between regions and even villages.

The different details may indicate the place of origin and social status of the wearer. Dirndls worn in everyday use are rural domestic clothing, made from grey or coloured linen, sometimes with leather bodice and trim.

Dirndls used on formal occasions are usually made with materials, designs, colours and embroidery specific to the region. In more traditional designs, the blouse worn on formal occasions features an elaborate collar made from lace or tassels, which draped over the shoulders and breast.

Jewellery worn with the dirndl includes necklaces, earrings, chokers and chains. Also popular are brooches made of silver, the antlers of deer or even animals' teeth.

As footwear, dirndls are normally worn with court shoes pumps or flat, ballerina-type shoes. Knee-length socks or tights are common.

Other accessories may include a waistcoat or a woollen shawl. In many regions, especially the Ausseerland in the Austrian Salzkammergut , vibrantly coloured, hand-printed silk scarfs and silk aprons are worn.

In spring, the front of the bodice is sometimes decorated with fresh flowers. In traditional customs, the dirndl is worn with a hat or bonnet, especially in church settings.

This headgear developed in the 17th century from a veil or headscarf and was worn by middle class urban women; later the custom spread to the countryside.

Because the appeal of the dirndl is its rustic look, plastic dirndls with flashy ornaments are looked down upon.

It is an absolute faux-pas to wear a dirndl without a blouse. There is an urban legend that claims the placement of the knot on the apron is an indicator of the woman's marital status.

A dirndl skirt is a full, wide skirt, gathered into folds at the waist. Dresses that are loosely based on the dirndl are known as Landhausmode literally "country house style" dresses.

In recent decades, fashion designers have been creating their own interpretations of the dirndl. While appearing to be simple and plain, a properly made modern dirndl may be quite expensive as it is tailored, and sometimes cut from costly hand-printed or silk fabrics.

The dirndl has passed through different periods in its history. These include 1 its origins as rural clothing, 2 development as a recognized folk costume, 3 evolution as a fashion style, 4 appropriation by the Nazis, 5 decline in popularity after the Second World War, followed by a resurgence from the s.

Each of these periods has left an impression on the design and perception of the dirndl. The dirndl originated as a dress worn in rural areas, a more hardy form of the costume worn today.

Rural costumes originated in the countryside; they showed that the wearer belonged to a particular social class, occupation, religious persuasion or ethnic group.

Differing designs developed in the different regions. They were influenced by urban fashions, costumes in neighbouring regions, available materials, as well as fashions in the royal courts and in the military.

Dresses similar to the dirndl, featuring skirts with bodices , aprons and blouses were commonplace in Europe from the 16th to the 18th centuries.

Alpine traditional costume spread to regions in Bavaria and Austria outside the mountains through migration in search of work.

As a result, the dirndl developed over time into female Austrian servants' work clothes. Distinctions developed between the everyday version of rural costumes and the version used for festive occasions; the festive version of each costume tradition was considered the ideal form.

Other popular occasions included markets and Volksfeste. Over time, festive versions of the dirndl developed elaborate decoration around the collar and breast, including embroidery, floral decorations, tassels and lace collars draped over the shoulders and breast.

Elaborate headwear such as the Goldhaube developed to indicate distinctions in social status. Nevertheless, folk costume was increasingly perceived as a marker of rural and working classes.

The background to this development was the French government policy from the midth century onwards of promoting French luxury fashion. With the purpose of promoting conspicuous consumption , the French designs used expensive materials such as silk , lace , and gold and silver thread.

French modes were promoted throughout Europe by printed media, fashion shows and diplomatic exchanges, with the consequence that by the 18th century France became the European leader of fashion amongst the upper classes.

Other governments e. Austria attempted to fight French economic dominance of the fashion industry by building their own luxury fashion industries; this had the effect of further spreading fashion in the French style.

Thus the spread of French fashions increased the contrast between the fashionable clothes of the wealthier classes and folk costumes, which were increasingly perceived as rustic, not fit for polite society.

This point is illustrated by the first Oktoberfest , held in to celebrate the wedding of Bavarian Crown Prince Ludwig later King Ludwig I to Therese of Saxe-Hildburghausen ; the citizens of Munich were invited to the festivities but were required to dress in French fashions, since their folk costumes were not considered suitable for public occasions.

As antithesis to the dominance of French fashion, a widespread movement to study and preserve the traditional costumes of the rural populations developed in the early 19th century: examples in other European countries included the Highland romantic revival in Scotland , the Danish folklore movement and the Bunad movement in Norway.

In German-speaking countries, the movement was known as the Trachtenbewegung ; it occurred in Bavaria, Austria and Switzerland. The folk costume movement is one aspect of national romanticism , and part of the more widespread Romantic movement of the early 19th century.

Art historian Gabriele Crepaldi points out the links between the ideological and political dimensions of the Romantic movement: [30].

The label romantic It is used for a cultural movement which spread in Great Britain, France, Italy and other European countries between the late 18th century and the first half of the 19th century.

Its protagonists were philosophers, writers, musicians and painters. In Germany it was the writers and intellectuals of the Sturm and Drang movement who reacted critically against the rationalism of the Enlightenment and the doctrines of neo-Classicism.

The Romantics defended the creative and spiritual autonomy of individuals and proclaimed their freedom from aesthetic norms and pretensions. Inwardness and subjective feeling found in romantic art their authentic expression Especially in Italy and Germany , a connection can be seen to the movements for national reunification.

As Crepaldi observes, the Romantic movement was simultaneously a critical response against the rationalism of the Enlightenment and the political institutions embodied by it.

Parallels can be seen in other countries, for instance Norway , where the folk costume bunad movement is associated with the movement to revive Norwegian political independence.

In Bavaria, Austria and Switzerland, the Enlightenment was especially associated with France , which had sent its armies across Europe in the Revolutionary and Napoleonic Wars — In response to the humiliations of the repeated French invasions, the protagonists of German romanticism sought to strengthen their cultural heritage.

The result was a flowering of research and artistic work centred around Germanic cultural traditions, expressed in painting, literature, architecture, music and promotion of German language and folklore.

During the 19th century, the dirndl like its masculine counterpart Lederhosen was recognised by the governments of Bavaria and Austria as approved folk costume.

In Bavaria and Austria, enthusiasm for the different costumes of the rural population developed at the royal courts in the early 19th century.

A comprehensive description of Bavarian national costumes was published in by the archivist Felix Joseph von Lipowsky. A parade of traditional costumes took place in at Oktoberfest , to celebrate the silver wedding anniversary of King Ludwig I of Bavaria and Queen Therese.

Under his successor Maximilian II , traditional costumes were officially recognised as clothing suitable for wearing at the royal court.

The king himself included officials wearing tracht in his court ceremonies and wrote in that he considered the wearing of folk costume of "great importance" for national sentiment.

The wearing of dirndls and lederhosen was thus given royal favour. In , the first association to promote folk costume was founded in Miesbach in Bavaria.

In the following years, similar tracht associations Trachtenvereine were founded throughout Germany and Austria. The tracht associations promoted research and wearing of the traditional clothing in each region.

This helped preserve the traditions against the ravages of modernism; in contrast, the wearing of the traditional tracht declined in regions where the tracht associations were not active.

The first umbrella organisation for the tracht associations was founded in By the later 19th century, it had become popular for members of the royal courts in Austria and Bavaria to wear folk costume.

The wearing of folk costume by royalty encouraged its adoption by other members of the upper and wealthier middle classes.

In the s and 90s, the dirndl became established as a typical "country" dress amongst the wealthy patrons of the summer holiday resorts of Austria and Bavaria.

An important influence was German Romantic literature, which contrasted the allegedly natural, unspoilt and unpolluted people of the countryside with the artificiality and depravity of urban society.

The adoption of the dirndl as a fashion resulted in the use of a greater variety of materials and colours, and a closer fit to emphasise the female body shape.

As a result, the traditional costume worn by country people was also raised in perceived status.

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Dirndl Nip Slip - Hauptnavigation

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Whether at Oktoberfest , festivals or parties — a so-called Midi Dirndl is always the perfect choice for women wanting to combine style and tradition.

Anyone who appreciates being in the center of attention can wear the modern Bavarian fashion in everyday life as well, since these comfortable and pretty pieces do not have to hide behind modern summer clothes!

Indivisibly linked to the Dirndl is the typical apron whose loop, depending on how it is bound, betrays something about the relationship status of the wearer.

In our extensive online shop, you will not only find a wide selection of beautiful Midi Dirndl in different colors and cuts with a characteristic, medium skirt length.

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Thanks to the wide selection and the individual cuts Dirndl put the respective benefits into focus. In our shop, you can buy Dirndl all year round.

Our assortment always has a wide selection available for you. While for weddings, anniversaries and similar celebrations, a dignified and stylish Dirndl might be desired, many women like to choose short versions to have enough freedom to dance and let loose at the next summer party.

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